This text is from the preface to my book of dance photography, Dance!, which is available directly from me, or from The book includes full page reproductions of all the images in galleries  Dance 1 and  Dance 2 on my photography web site,

I document the work and energy that goes into dance — not just the final performance. Being in the studio as dances are created, or even as dancers prepare themselves, feels like being in a delivery room as children are being born. Amidst pain or anguish, tempered with rhythm and support, and bolstered with faith, new life emerges. It’s physical, sometimes sensual, often spiritual. Too often this process is ignored, as image makers look only at the final result — the dance. Read the rest of this entry »

I had just moved to Portland, Maine, intending to leave my consulting career and open a commercial photography studio.  In those days we didn’t have personal computers with desktop publishing software, and so I hired a designer to produce my business card, letterhead, etc.

Her suggestion: “Your work is so graphic, and so visually strong . . . take pictures of something like dancers, and use these on each printed piece”.  And so I did — set up my strobe lights and a nine foot wide roll of white background paper, invited dancers from a local modern company, and my own dance began!

Making good art can be painstakingly slow, but my first attempt at dance photography was easy, exhilarating, and spiritually fulfilling.  She struck a pose, and I snapped.  I moved a bit, adjusted, and clicked again.  She moved.  Click.  And on  we went.  I found myself drawn into a visual dialog.  Later I would discover that it was actually a dance — although I’ll hasten to say that I’m not in any way a dancer. Read the rest of this entry »

The energy of dance

September 26, 2009

The energy of dance

photograph by Arthur Fink